Andrea Diefenbach was born in 1974 and finished her photography studies in 2006 at the University of Applied Science in Bielefeld, Germany, with the project AIDS in Odessa. She has worked since 2005 as a freelance photographer for magazines such as Brigitte, DIE ZEIT, GEO, and Stern. She is also pursuing a number of personal projects, with the help of different grants and scholarships.
Her AIDS in Odessa project received an honorable mention at the Fotomuseum Winterthur’s Plat(t)form 2007 photography forum. The project also won the 2007/2008 Documentary Photography Award from the Wüstenrot Foundation and the Museum Folkwang and was published in July 2008 as a book by Hatje Cantz, which was nominated for the Deutsche Börse Photography Prize. The series was exhibited at the Reiss-Engelhorn Museum (Mannheim, Germany) and the CLAMPART gallery in New York.
Dienfenbach’s work has been featured in a number of group exhibitions and photography festivals. In 2009 and 2010, she was an artist in residence in Bosnia and Herzegovina and was selected as a finalist for the 2010 W. Eugene Smith Award.
Diefenbach lives in Wiesbaden, Germany, and is a member of Agentur Focus.
“Whose parents are living in Italy?” asked the teacher as she stood in front of a first grade class in Cirpesti, a small village in southeast Moldova. With a mixture of pride and embarrassment about 20 of the 30 children raised their hands. I was shocked. I knew the statistics on labor migration and remittances. But the lives behind the numbers were staring me in the face as I stood in a cold, leaky classroom and learned that it had been years since most of these six-year-olds had seen their parents who were working 2,000 kilometers away as cleaning ladies or harvest helpers. This experience and others inspired me to continue my photography in Moldova. My images aim to look behind the statistics to reveal the impact of migration on families and society and ask how high a price parents and children pay for it.
Moldova is the poorest country in Europe. Forty percent of the people live below the poverty line. Meanwhile, more than one-third of the adult working population has left the country. According to official estimates, at least 690,000 of the 4.3 million Moldovans are living and working abroad—mostly in EU countries and in Russia—although the actual number varies according to different sources and probably exceeds one million. That makes Moldova one of Europe’s leading countries in labor migration.
The remittances that the migrant workers send home are a major factor in preventing the economy from collapsing. Yet labor migration has many downsides, including a “brain drain,” in which Moldova’s most active and educated people search for better economic opportunities abroad. Although many wind up working as unskilled laborers for low pay, this work still brings more than what they could earn at home. Migration also contributes to the disintegration of families and has torn the social fabric of Moldovan society. Whether in cities or the country, there is hardly a family in which at least one parent is not working abroad. In many cases, the children remain in Moldova and live with relatives, acquaintances, or even on their own. They often don’t see their parents for months, or years.
For this project, I photographed parents who had left Moldova without work permits to work in Italy, the most popular destination country. I also visited the children who were left behind in Moldova. Some of these children live in good homes, but others are often neglected and have no guardians. It is common for parents not to see their children for several years, as the parents often remain in Italy for long periods to obtain permits. Instead, they communicate through phone calls and parcels. At least once a month, minibuses transport money, sweets, and gifts—one of the few ways for parents to show their love.
—Andrea Diefenbach, November 2011