Lawrence Weschler on Human Rights
Lawrence Weschler is commonly regarded as one of the foremost practitioners of literary nonfiction. His latest collection, Uncanny Valley: Adventures in the Narrative, continues the author’s distinctive blending of political and cultural themes.
An entire section of the book is given over to “Some Probes into the Terrain of Human Rights,” including the text from his collaboration with Richard Avedon evoking the precise nature of the witness borne by human rights monitors all over the world; his day-by-day account of the 1998 Rome Conference which, notwithstanding the Clinton administration's profoundly equivocal triangulations, did finally succeed in bringing into being a permanent International Criminal Court; essays on the art of the disappeared (South American artists confronting the legacy of that continent’s Dirty Wars of the 1970s and ’80s); and his ambivalent response to Peter Eisenman's Berlin monument to the victims of the Holocaust.
These parts of the book formed the basis of a recent conversation between Weschler, Aryeh Neier, and Tina Rosenberg. Listen above.
